Kaolithic exhibit, Bailey Museum
"Reliquary of St. Igge", Bowery Museum
Miniature study with curiosity cabinet in peephole gallery
Marcus Kelli Collection
Our roving reporter presents breaking news on the museum-as-art-project front in the SF Bay Area...Clayton Bailey, whose Wonders of the World Museum had been in storage for nearly four decades, opened his own museum last summer, situated in the charming little town of Crockett...The museum contains a recreation of the old exhibits as well as a mad scientist lab, robots, ceramic gargoyles, and demonic pottery...This space recently visited the Bailey Museum and presented Clayton with some ZM lit...A museum twofer is to be had at the Alter Space gallery in San Francisco...The artist (and gallery co-owner) known as Koak is building the Bowery Museum in the gallery space as a complement to her work-in-progress graphic novel...Currently showing in Alter Space's peephole gallery are dioramas and specimens from Danielle Schlunegger's Marcus Kelli Collection and Museum (on view until Feb. 22)...Both museums predicted by this space to have great futures...In the South Bay, Beverly Rayner brings her Museum of Mesmerism & Psychic Art to the Triton Museum in Santa Clara later in February...
Monday, February 10, 2014
Sunday, October 13, 2013
The museum will once again be trundling down the Peninsula from San Mateo to Palo Alto, bringing its roadshow to the annual Book Arts Jam on October 19!
The Zymoglyphic Museum Press will have available the full range of its publications as well as a selection of prints from the series Views of the Zymoglyphic Region.
The Zymoglyphic Postal Service will be well represented by a selection of postcards, a sample of which may be seen here.
This event takes place at the Lucie Stern Community Center, 1305 Middlefield in Palo Alto, from 10 AM to 4 PM, and features a fine survey of local book and print artists.
Hope to see you there!
Thursday, May 16, 2013
Two of San Mateo's great cultural attractions will be joining forces as the Zymoglyphic Museum trundles its roadshow 15 blocks up El Camino Real to the Maker Faire! The Faire's annual mass outcropping of creativity takes over the county fairgrounds this coming weekend!
The museum's focus will be to encourage those who find themselves in possession of disorganized detritus to make their own museum out of it. We feel that the personal museum is a woefully underused form of creative expression!
We will be sharing space with the Bellybutton Museum, which is currently curating a collection of navel photographs. More information on that project here.
We will be located in the Fiesta Building, Wing B.
Thursday, April 18, 2013
The Zymoglyphic Museum will once again be open for a skeptical public to see the museum's exhibits, dioramas, and environs in person the first weekend in May. That's May 4th and 5th from 11 AM to 5 PM as part of Silicon Valley Open Studios. New this year will be a fine selection of post cards which will serve as convenient and economical souvenirs of your visit, as well a new modern art gallery! There will also be a full assortment of publications and prints available. Contact the museum if you wish to have a specific print available when you arrive.
You will also be able to see the pinhole photography, pinhole cameras, artist's books, and other wonders of Judith Hoffman
The carless (or others so inclined) may wish to hoof it from from the Hillsdale train station, which is about a 15 minute walk away. See directions here.
Sunday, March 03, 2013
The museum is proud to announce the completion of its new Art of the Modern Age gallery. Measuring just under a square foot, this miniature temple of modernism is snugly sited on a shelf under the museum's lone windowsill. It replaces the dilapidated shoebox art galleries and features found art (including examples from the Natural Modernist school) and miniature works from the Biomorphic movement.
Posted by Jim Stewart at 1:30 PM
Tuesday, February 05, 2013
The essence of a museum is arguably its physical location and its tangible collections. You may see with your own eyes, for example, the full original of a painting you have only dimly glimpsed in black-and-white in an art textbook, or marvel at ancient artifacts from vanished civilizations.
However, we are also interested in literary museums, those that consist only of words and whose construction is unencumbered by the laws of physics.
Italo Calvino's Invisible Cities imagines Marco Polo spinning tales for Kublai Khan about the metaphysical communities that he has encountered in his travels around the Kublai's vast empire.
One of these cities has a museum and here is its story:
CITIES & DESIRE 4
In the centre of Fedora, that grey stone metropolis, stands a metal building with a crystal globe in every room. Looking into each globe, you see a blue city, the model of a different Fedora. These are the forms the city could have taken if, for one reason or another, it had not become what we see today. In every age someone, looking at Fedora as it was, imagined a way of making it the ideal city, but while he constructed his miniature model, Fedora was already no longer the same as before, and what had until yesterday a possible future became only a toy in a glass globe.
The building with the globes is now Fedora's museum: every inhabitant visits it, chooses the city that corresponds to his desires, contemplates it, imagining his reflection in the medusa pond that would have collected the waters of the canal (if it had not been dried up), the view from the high canopied box along the avenue reserved for elephants (now banished from the city), the fun of sliding down the spiral, twisting minaret (which never found a pedestal from which to rise).
On the map of your empire, O Great Khan, there must be room both for the big, stone Fedora and the little Fedoras in glass globes. Not because they are all equally real, but because all are only assumptions. The one contains what is accepted as necessary when it is not yet so; the others, what is imagined as possible and, a moment later, is possible no longer.
Italo Calvino, Invisible Cities, 1972; translated by William Weaver
Sunday, October 07, 2012
The Zymoglyphic Museum Press will be setting up shop at the Book Arts Jam on Saturday, Oct. 20 in Palo Alto, Calif. The event, which in previous years had been hosted at Foothill College, has moved this year to the Lucie Stern Community Center, located at 1305 Middlefield Road in Palo Alto. The Jam will run from 10 AM to 4 PM.
Thursday, April 12, 2012
Our museum's doughty research department has been busying itself recently sifting through the lower strata of the archives. They have uncovered evidence that famous literary personages have visited the museum at various points in its long and varied history. This past St. Patrick's Day, for example, we published an account of James Joyce's visitation.
The researchers have found, to their unspeakable horror, that H.P. Lovecraft seems to have passed this way many decades ago, his blasphemous reportage leaving a hideous trail of gibbering, luminescent slime dripping from the vitrines, eating its way into the shadow-bound heart of our innocent museum. His comments:
There were lumpish hybrid things which only fantasy could spawn, moulded with devilish skill, and coloured in a horribly life-like fashion...gorgons, chimaeras, dragons, cyclops, and all their shuddersome congeners...hideous parodies on forms of organic life we know...others seemed taken from feverish dreams of other planets and other galaxies....the vaulted museum chamber—an evil-looking crypt lighted dimly by dusty windows set slit-like and horizontal in the brick wall on a level with the ancient cobblestones of a hidden courtyard. Other things in the dismal crypt were less describable—isolated parts of problematical entities whose assembled forms were the phantoms of delirium.
from "The Horror in the Museum" by H. P. Lovecraft and (as?) Hazel Heald, 1932
Book cover from Monster Brains
A full index to literary visitors maybe seen here
Sunday, April 08, 2012
The Zymoglyphic Museum will be open an unprecedented three weekends this year!
Open hours will be 11 AM to 5 PM the following days:
May 5th and 6th - Come early if you wish to avoid the crowds
May 12th and 13th - A trip to the museum will make an excellent Mother's Day outing!
May 19th and 20th - This is the weekend that other studios in San Mateo will be open.
Showing at the same location will be the marvelous metal work, artist's books, and pinhole photography (including home-engineered pinhole cameras) of Judith Hoffman. There will be daily demonstrations as well!
Carpooling is encouraged. Those lacking access to internal combustion are advised that the museum is but a short walk from the Hillsdale train station. Old-school persons, self-styled luddites, and the GPS-challenged will find useful retro-style directions to the museum here and an electronic map at the official Open Studios web site.
Besides tours of the museum itself, there will be a full range of publications from the Zymoglyphic Museum Press available for purchase. New this year is The Tale of the Wandering Monk, a photo essay documenting the adventures of a diminutive traveler. Selected prints from the Views series will also be available. You may contact the museum in advance to ensure that a specific view is available as a print.
Photography, sketching, and video are encouraged! Efforts of previous visitors may be seen here
Facebook members may wish to let their friends know their intentions by registering on the museum's Facebook event page.
Saturday, March 17, 2012
Our publications department recently wandered into new territory with a bit of literary impertinence in which it is imagined that the spirit of the author of Finnegans Wake (the notoriously unreadable modern classic) is channeled through a museum docent also named Joyce. The transcript is accompanied by the obligatory scholarly commentary.
The results can be seen here
Museums figure briefly in both of Joyce's major works, Ulysses and Finnegans Wake. In Ulysses, the protagonist, Leopold Bloom, visits the National Museum of Ireland in his epic single-day odyssey around Dublin. His purpose for the visit is to avoid his wife's lover, whom he sees on the street, but mostly to admire the divine female forms in the statuary.
"Can see them library museum standing in the round hall, naked goddesses. Aids to digestion." (p.144)Finnegans Wake contains within its dream pages a visit to a fictional Willingdone, or Wallinstone, Museum (pp 8-10). Joseph Campbell writes in A Skeleton Key to Finnegans Wake
"His heart quopped softly. To the right. Museum. Goddesses...His eyes beating looked steadfastly at cream curves of stone" (p. 150)
This Museum should be regarded as a kind of reliquary containing various mementoes symbolizing not only the eternal brother-conflict, but also the military and diplomatic encounters, exchanges and betrayals of recorded historyAnother interpretation  is that the museum was simply the outhouse behind the dreamer's pub: "For her passkey supply to the janitrix, the mistress Kathe"
For further examples of museums as literary devices, see:
Steven Millhauser - The Barnum Museum
Kurt Vonnegut - Skip's Museum in The Sirens of Titan
Mark Twain reviews a dime museum as a journalist
Orhan Pamuk's The Museum of Innocence , both a novel and a (planned) physical museum