Rosamond Purcell has a long history of providing inspiration to the Zymoglyphic Museum as a photographer of museum specimens, a scholar of curiosities, an exhibit curator, a writer, and an assemblage artist of decay. Her photographs of natural history museum specimens earned her a place in the museum's Photographers of the Marvelous online photography exhibit, and her use of natural light in these pictures has been an inspiration to our own curatorial department's attempts to document our museum's collections. One of her collaborations with Stephen Jay Gould, Finders, Keepers: Eight Collectors, includes the story of Peter the Great's Kunstkammer in 18th century Russia, and, in particular, his acquisition of Frederik Ruysch's collection of anatomical dioramas and other preparations. The book includes Purcell's photographs of some of the few remaining Ruysch objects . Further research on curiosities and marvels led her to write Special Cases: Natural Anomalies and Historical Monsters, examing the historical significance of marvels.
In 2003, Purcell curated a traveling exhibit called Two Rooms. One room was a reconstruction of a small but historically important natural history museum created in the 17th century by Ole Worm. The other room featured a reconstruction of Purcell's own studio/museum, with walls of rusted metal sheets, a library of decayed, worm-eaten books, and arrangements of a variety of objects transformed by nature and weathering. Most of these objects came from a single source, a vast junkyard in Maine which she has been mining for aesthetic gold for two decades, and whose story is told in the book Owls Head
Her new book Bookworm: The Art of Rosamond Purcell finally showcases her photographs of her own found and created decayed objects. The range is a mix of weathered objects and textures, photographic collages, and assemblages constructed for the purposes of the photograph. Shown above is "Book for Fishes", combining a fish skeleton with an old, insect-eaten book found in a Harvard library. For a preview of the book, see the slideshow/review at Slate.com
There seem to be still more Zymoglyphic inspirations which have yet be fully documented. Above are two photographs from "Two Rooms", the exhibition catalog. The top one is a "miniature museum" from 1994, similar in spirit to the Zymoglyphic shoebox art galleries and the bottom shows a number of objects on display in her studio, any of which would be at home in our museum.
Sunday, November 26, 2006
Sunday, November 12, 2006
Mark your calendars! Or if you buy the Wacky Web Sites Page-A-Day Calendar 2007, you won't have to, because Sept. 20, 2007 will already be marked as the day the Zymoglyphic Museum is the official Wacky Web Site of the day. This honor comes on the heels of the recent successes of the museum's marketing department's low-key strategy of basically not doing any marketing. The museum was recently listed on Neatorama, a site with some two million daily pageviews. It was suggested to them by Presurfer and picked up later by a number of other sites, including Monster Brains, NetKulture (sounds better in French!), and Grow-A-Brain (lumped in with Alzheimer's art and next to art made from dog food). A blogger known only as Jeff said "One of the neatest things I've ever seen. The Hallowed Pussy would feel right at home here." No idea what he meant by that, and the entry has since vanished.
The upshot was a multi-day spike in web traffic and an additional blog subscriber or two, bringing that count close to double digits. By the way, if you wish to subscribe to the blog via e-mail (not a bad idea considering how erratically it is updated) and don't know what RSS means, just send in your e-mail address and you can receive it that way. E-mail subscriptions come with the usual lifetime no-spam guarantee.
Now, our curatorial department might well prefer a grad student or two to write a scholarly treatise on the museum instead of the "wacky web site", or "zymo-what?", approach, but we will take what we can get. The museum has yet to find its Lawrence Weschler, who chronicled the Museum of Jurassic Technology. The Museum of Dust has come pretty close when not distracted by territorial spats and interplanetary intrigue. We and the MoD were featured recently on BlueTea's virtual museum tour, and this Live Journal entry was particularly endearing. We offered her a job, but she ultimately declined. Other blogosphere musings on the museum can be found here, here, and here.